Tag: Formisano Marco

Formisano on Carmen 1

Marco Formisano, in ‘The King Listens: Origins, Noises, and Panegyric in Sidonius Apollinaris’ Carmen 1’ (Arethusa 54 (2021) 275-90), contends “that the opening position of Carmen 1 is relevant, not only to its own interpretation, but also to the interpretation of the subsequent panegyric and to Sidonius’s poetry as a whole”. “Noise” precedes “meaning” in poetry, and in panegyric above all.

Go to this issue of Arethusa.

New Late Antiquity: Intellectual Portraits

Clifford Ando and Marco Formisano have edited The New Late Antiquity: A Gallery of Intellectual Portraits, including chapters on Alföldi, Auerbach, Brown, Alan Cameron, Averil Cameron, Chadwick, Chastagnol, Courcelle, Cracco Ruggini, Cumont, Duval, Fontaine, Von Harnack, Herzog, Kantorowicz, Kondakov, L’Orange, Lepelley, MacCormack, Marrou, Mazzarino, Mommsen, Momigliano, Paschoud, Pigulevkaya, Riegel, Seeck, Stein, Strzygowski, Syme, Thompson, and Volterra.

Here goes to the catalogue

Origins and Original Moments in Late Greek and Latin Literature II

Marco Formisano (Ghent): The sound of origins. Music, voice and noise in Sidonius Apollinaris.

See also his paper for the Associazione italiana di cultura classica at Matera, on 12 February 2020:

Vocalità e sonorità nei testi latini: Sidonio Apollinare

Conferenza che il prof. Marco Formisano (Università di Gent ) terrà a Matera su “Sonorità e vocalità nei testi latini: l’esempio di Sidonio Apollinare (carm. 1)”.